[Тэкст даступны толькі на англійскай мове] ESPPC is an experiment of interaction between perceptions, visuals and movements composed instantly without any aspect prevailing over the other.
Music is wavering between jazz structures, serial music, total improvisation, over recordings, contemporary implications.
The movement is an alternation of moments of instantly composition to structuring, mechanical and expressive gestures in agreement or disagreement with music and video.
Video devices take moving pictures of the actions and interactions between dancers and...[Тэкст даступны толькі на англійскай мове] ESPPC is an experiment of interaction between perceptions, visuals and movements composed instantly without any aspect prevailing over the other.
Music is wavering between jazz structures, serial music, total improvisation, over recordings, contemporary implications.
The movement is an alternation of moments of instantly composition to structuring, mechanical and expressive gestures in agreement or disagreement with music and video.
Video devices take moving pictures of the actions and interactions between dancers and public.
The images are real-time processed through computer and projected all over the performance stage.
Music is wavering between jazz structures, serial music, total improvisation, over recordings, contemporary implications.
The movement is an alternation of moments of instantly composition to structuring, mechanical and expressive gestures in agreement or disagreement with music and video.
Video devices take moving pictures of the actions and interactions between dancers and...[Тэкст даступны толькі на англійскай мове] ESPPC is an experiment of interaction between perceptions, visuals and movements composed instantly without any aspect prevailing over the other.
Music is wavering between jazz structures, serial music, total improvisation, over recordings, contemporary implications.
The movement is an alternation of moments of instantly composition to structuring, mechanical and expressive gestures in agreement or disagreement with music and video.
Video devices take moving pictures of the actions and interactions between dancers and public.
The images are real-time processed through computer and projected all over the performance stage.
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