It is not a reinterpretation of the original songs, but a personal electronic vision of the sounds, atmospheres, colors, and message that Davis' album left in the music of our century.
By sampling, synthesizing, and electronically manipulating many of the original sounds from Davis' album, textures, harmonic rhythmic weaves, and atmospheres were created that, together with the sound of the trumpet, create original and modern music.
The titles of the songs are all characterized and inspired by the latest astronomical discoveries. The album develops on well-defined themes, fundamental to the realization of the Immersive performance: The search for sound, discovery, and the unexplored. A search in which history and technological future merge, finding a new and personal balance.
On the cover, there is an artistic representation of the black hole recently discovered in our galaxy, whose colors recall the cover of Miles in the Sky.
The project is presented live through an A/V Immersive Performance capable of creating a sound and visual environment that envelops the audience, pushing it with the element of light into a real artistic explosion.
The audience will be overwhelmed by projections that are true works of art, capable of overturning the classic perception of the concert, becoming an integral part of the environment.
Every sense is strongly involved in a physical space where the virtual enters the scene thanks to interactive projections that envelop the spectator, catapulting him into the narrative of the multimedia story.
Live video projections that activate through a simple gesture, movement, or sound. To tell a story, excite the audience, create a vivid memory.
These are the objectives of the work.
Another search was made to identify a new physical support for the album that could reflect the originality of the project. The result is in full Pop Art style: a product for mass consumption transformed into an object of art, a craft beer bottle from which it is possible to download the album.