[Тэкст даступны толькі на англійскай мове] A montage of fragmented, modified, superimposed sequences brings the viewer from the reality of the image to the insight of the personal experience. The dislocation of the significant, the alternative and the superimposition of the subjective to the objective, the connections, the associations, the super impressions, the redundancy, the repetitions, reinforce the idea of the image of the present that happens every time someone looks at the image.
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