What stands out in the immediate aftermath is a great awareness of the heterogeneity of the instruments and materials these composers have. If we really have to find a common denominator for such a concert, this is definitely the ability to express and narrate.
Manuel Zurria flute
Francesco Dillon cello
Emanuele Torquati piano
Olivier Messiaen (1908-1992)
The Merle Noir (1952) for flute and piano
José Maria Sánchez-Verdú (1968)
Deploratio II (2001) for flute and cello
Francesco Filidei (1973)
Two Bagatelle (2008) for flute, cello and piano
Prelude and Filastrocca (2010-12) for solo piano
Daniele Bravi (1974)
Visions from the horizon of events * (2017) for solo cello
Christophe Bertrand (1981-2010)
Haos (2003) for solo piano
Yan Maresz (1966)
Circumambulation (1993) for flute
Régis Campo (1968)
Scherzo (2003) for flute, cello and piano
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