[Тэкст даступны толькі на англійскай мове] lixt is the documented path of Rafael Bresciani’s (me) research through the use of live coding as a medium for artistic expression in the digital age. In the historical moment where human living experience is more and more mediated by digital and computational environments, I have turned my attention to the relevance of language, contrasting the thinking
of Ludwig Wittgenstein and Vilém Flusser with the contemporary dilemma of aesthetics and the structure of our society....[Тэкст даступны толькі на англійскай мове] lixt is the documented path of Rafael Bresciani’s (me) research through the use of live coding as a medium for artistic expression in the digital age. In the historical moment where human living experience is more and more mediated by digital and computational environments, I have turned my attention to the relevance of language, contrasting the thinking
of Ludwig Wittgenstein and Vilém Flusser with the contemporary dilemma of aesthetics and the structure of our society. Former journalist, composer and sound designer and in a masters in Net Art and Digital Culture, I devote my efforts to better understand and discuss the characteristics and consequences of the massive interaction between man and machine to identify the changing of what we perceive as real.
When I read Flusser’s first book (Language and Reality, 1963) it was a blast in my mind. His idea of revisioning Wittgenstein’s theory of the logical structure of language as a limit to our reality changed my life. For Flusser, not only “the limit of language is the limit of the world” (Wittgenstein, 1921) but the world, what we consider real, is a product of language. “Language is what transform chaos in cosmos”, he wrote.
So, considering he is right, if we change our language, we produce a different reality. That was the starting point of my research about how the massive interaction between man and the digital realm is reshaping our language and, therefore, our world. And lixt is the practice side of this research, an experimental playground created to expose the chaotic moment we are facing in the contemporary crisis of language.
of Ludwig Wittgenstein and Vilém Flusser with the contemporary dilemma of aesthetics and the structure of our society....[Тэкст даступны толькі на англійскай мове] lixt is the documented path of Rafael Bresciani’s (me) research through the use of live coding as a medium for artistic expression in the digital age. In the historical moment where human living experience is more and more mediated by digital and computational environments, I have turned my attention to the relevance of language, contrasting the thinking
of Ludwig Wittgenstein and Vilém Flusser with the contemporary dilemma of aesthetics and the structure of our society. Former journalist, composer and sound designer and in a masters in Net Art and Digital Culture, I devote my efforts to better understand and discuss the characteristics and consequences of the massive interaction between man and machine to identify the changing of what we perceive as real.
When I read Flusser’s first book (Language and Reality, 1963) it was a blast in my mind. His idea of revisioning Wittgenstein’s theory of the logical structure of language as a limit to our reality changed my life. For Flusser, not only “the limit of language is the limit of the world” (Wittgenstein, 1921) but the world, what we consider real, is a product of language. “Language is what transform chaos in cosmos”, he wrote.
So, considering he is right, if we change our language, we produce a different reality. That was the starting point of my research about how the massive interaction between man and the digital realm is reshaping our language and, therefore, our world. And lixt is the practice side of this research, an experimental playground created to expose the chaotic moment we are facing in the contemporary crisis of language.
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