[Тэкст даступны толькі на англійскай мове] Maesia is the pseudonym of Marta De Pascalis.
Sound engineer and designer she has tailored sound for video makers, collaborating with the likes of David Terranova, James Mountford, Nowness,Cattyleya,Valentino,Fendi,MoodIt.
Born in ‘post modern’ Rome, Maesia came to light from the need for sonic experimentation, to search and savor different instruments, shapes and cities and potential transducers of vital energy. The result being syncretic, hypnotic, chaotic beats to which infinite variations of input correspond to finite...[Тэкст даступны толькі на англійскай мове] Maesia is the pseudonym of Marta De Pascalis.
Sound engineer and designer she has tailored sound for video makers, collaborating with the likes of David Terranova, James Mountford, Nowness,Cattyleya,Valentino,Fendi,MoodIt.
Born in ‘post modern’ Rome, Maesia came to light from the need for sonic experimentation, to search and savor different instruments, shapes and cities and potential transducers of vital energy. The result being syncretic, hypnotic, chaotic beats to which infinite variations of input correspond to finite variations of sonic output.
Sound engineer and designer she has tailored sound for video makers, collaborating with the likes of David Terranova, James Mountford, Nowness,Cattyleya,Valentino,Fendi,MoodIt.
Born in ‘post modern’ Rome, Maesia came to light from the need for sonic experimentation, to search and savor different instruments, shapes and cities and potential transducers of vital energy. The result being syncretic, hypnotic, chaotic beats to which infinite variations of input correspond to finite...[Тэкст даступны толькі на англійскай мове] Maesia is the pseudonym of Marta De Pascalis.
Sound engineer and designer she has tailored sound for video makers, collaborating with the likes of David Terranova, James Mountford, Nowness,Cattyleya,Valentino,Fendi,MoodIt.
Born in ‘post modern’ Rome, Maesia came to light from the need for sonic experimentation, to search and savor different instruments, shapes and cities and potential transducers of vital energy. The result being syncretic, hypnotic, chaotic beats to which infinite variations of input correspond to finite variations of sonic output.
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